Simone Martini (c. 1284 – 1344) was an Italian painter born in Siena. He was a major figure in the development of early Italian painting and greatly influenced the development of the International Gothic style.
It is thought that Martini was a pupil of Duccio di Buoninsegna, the leading Sienese painter of his time. According to late Renaissance art biographer Giorgio Vasari, Simone was instead a pupil of Giotto di Bondone, with whom he went to Rome to paint at the Old St. Peter's Basilica, Giotto also executing a mosaic there. Martini's brother-in-law was the artist Lippo Memmi. Very little documentation of Simone's life survives, and many attributions are debated by art historians. More on Simone Martini
Matthias was, according to the Acts of the Apostles, chosen by the apostles to replace Judas Iscariot following the latter's betrayal of Jesus and his subsequent death. His calling as an apostle is unique, in that his appointment was not made personally by Jesus, who had already ascended into heaven.
There is no mention of a Matthias among the lists of disciples or followers of Jesus in the three synoptic gospels, but according to Acts, the fifth book of the New Testament, he had been with Jesus from his baptism by John until his Ascension. In the days following, Peter proposed that the assembled disciples, who numbered about 120, nominate two men to replace Judas. They chose Joseph called Barsabas and Matthias. Then they cast lots, and the lot fell to Matthias; so he was numbered with the eleven apostles.
Matthias first preached the Gospel in Judaea, then in Aethiopia (Georgia) and was there stoned to death. An extant Coptic Acts of Andrew and Matthias, places his activity similarly in "the city of the cannibals" in Aethiopia, the desert land west of the southern Nile river. A marker placed in the ruins of the Roman fortress at Gonio, on the Black Sea, claims that Matthias is buried at that site.
Michelangelo Merisi da Caravaggio (29 September 1571 in Caravaggio – 18 July 1610) was an Italian painter active in Rome, Naples, Malta, and Sicily between 1592 and 1610. His paintings, which combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, had a formative influence on Baroque painting.
Caravaggio trained as a painter in Milan under Simone Peterzano who had himself trained under Titian. In his twenties Caravaggio moved to Rome where there was a demand for paintings to fill the many huge new churches and palazzos being built at the time. It was also a period when the Church was searching for a stylistic alternative to Mannerism in religious. Caravaggio's innovation was a radical naturalism that combined close physical observation with a dramatic use of chiaroscuro which came to be known as tenebrism (the shift from light to dark with little intermediate value).
He gained attention in the art scene of Rome in 1600 with the success of his first public commissions, the Martyrdom of Saint Matthew and Calling of Saint Matthew. Thereafter he never lacked commissions or patrons, yet he handled his success poorly. He was jailed on several occasions, vandalized his own apartment, and ultimately had a death sentence pronounced against him by the Pope after killing a young man, possibly unintentionally, on May 29, 1606. He fled from Rome with a price on his head. He was involved in a brawl in Malta in 1608, and another in Naples in 1609. This encounter left him severely injured. A year later, at the age of 38, he died under mysterious circumstances in Porto Ercole in Tuscany, reportedly from a fever while on his way to Rome to receive a pardon.
Famous while he lived, Caravaggio was forgotten almost immediately after his death, and it was only in the 20th century that his importance to the development of Western art was rediscovered. More on Caravaggio
Jan de Beer, formerly known as the Master of the Milan Adoration (c. 1475 – 1528) was a Flemish painter, draughtsman and glass designer active in Antwerp at the beginning of the 16th century. He is considered one of the most important members of the loose group of painters active in and around Antwerp in the early 16th century referred to as the Antwerp Mannerists. Highly respected in his time, he operated a large workshop with an important output of religious compositions. More on Jan de Beer
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