06 works, Today, September 20th, is Martyr Fausta's day, her story illustrated #262

Unknown artist

Martyrs Evilasius, Faustus and Maximus, c. 11th century

Icon

 I have no further description, at this time

The Holy Martyrs Fausta, Evilasius and Maximus, suffered during the persecution against Christians by the emperor Diocletian in the city of Cyzicus between 305-311.

Unknown artist

Emperor Diocletian (284-305 CE) with laurel wreath.

Icon

 I have no further description, at this time

Saint Fausta was raised by Christian parents. Orphaned at a young age, she led a strict and virtuous life. Word that she was a Christian reached the governor, and the saint was sent to the eighty-year-old pagan priest Evilasius, who was ordered to turn the saint away from Christ.

Jacques Callot

Ste. Fauste et S. Evilase/ St. Fausta and St. Evilasius, c. 1636

Etching; second state of two (Lieure)

2 5/8 x 1 15/16 in. (6.6 x 5 cm)

This etching was originally one of four oval scenes on a plate in the series

Les Images De Tous Les Saincts et Saintes de L'Année

The Metropolitan Museum of Art

Jacques Callot, (born March–August 1592, Nancy, France—died March 24, 1635, Nancy), French printmaker who was one of the first great artists to practice the graphic arts exclusively. His innovative series of prints documenting the horrors of war greatly influenced the socially conscious artists of the 19th and 20th centuries.

He learned the technique of engraving in Rome. About 1612 he went to Florence. At that time Medici patronage expended itself almost exclusively in feste, quasi-dramatic pageants, sometimes dealing in allegorical subjects, and Callot was employed to make pictorial records of these mannered, sophisticated entertainments. He succeeded in evolving a naturalistic style while preserving the artificiality of the occasion, organizing a composition as if it were a stage setting and reducing the figures to a tiny scale, each one indicated by the fewest possible strokes. This required a very fine etching technique. His breadth of observation, his lively figure style, and his skill in assembling a large, jostling crowd secured for his etchings a lasting popular influence all over Europe.

He illustrated sacred books, made a series of plates of the Apostles, and visited Paris to etch animated maps of the sieges of La Rochelle and the Île de Ré. In his last great series of etchings, the “small” (1632) and the “large” (1633) The Miseries and Misfortunes of War, he brought his documentary genius to bear on the atrocities of the Thirty Years’ War. Callot is also well known for his landscape drawings in line and wash and for his quick figure studies in chalk. More on Jacques Callot

The girl bravely confessed her faith and was subjected to many cruel tortures. Strengthened by the Lord, she did not feel the pain. They locked her up in a wooden trunk, but the torturers got tired of trying to saw it and burn it in the fire. The holy martyr, and even the trunk, remained unharmed, guarded by divine power. The pagan priest Evilasius was shaken by the evident and manifest power of God. He believed in the Savior and confessed himself a Christian.

The eparch Maximus was sent to investigate the matter for the emperor, and he began to torture the old man who had come to believe in Christ. Evilasius turned to Saint Fausta and asked her to pray for him, after which he bravely endured the tortures. They threw Saint Fausta to be eaten by vultures, but the creatures would not touch her. 

Unknown artist

Saint Fausta 

I have no further description, at this time

The thirteen-year-old girl was pierced with nails driven into her head and other parts of her body. Finally, they threw her into a boiling cauldron with Saint Evilasius. During this time the martyrs prayed for their torturers.

Unknown artist

They threw her into a boiling cauldron

The Martyrdom of St. Vitus, c. 1450

Oil on canvas

I have no further description, at this time

Unknown artist

The Roman threw her into a boiling cauldron

I have no further description, at this time

Seeing the faith and endurance of the saints, the eparch Maximus also was converted to Christ, and prayed to God for the forgiveness of his sins. Thrown into the same cauldron in which Saints Fausta and Evilasius suffered, he shared with them the crown of martyrdom. More on Martyr Fausta

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, and 365 Saints, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.