Showing posts with label Jacques Callot. Show all posts
Showing posts with label Jacques Callot. Show all posts

Sunday, September 20, 2020

06 works, Today, September 20th, is Martyr Fausta's day, her story illustrated #262

Unknown artist
Martyrs Evilasius, Faustus and Maximus, c. 11th century
Icon
 I have no further description, at this time

The Holy Martyrs Fausta, Evilasius and Maximus, suffered during the persecution against Christians by the emperor Diocletian in the city of Cyzicus between 305-311.

Unknown artist
Emperor Diocletian (284-305 CE) with laurel wreath.
Icon
 I have no further description, at this time

Saint Fausta was raised by Christian parents. Orphaned at a young age, she led a strict and virtuous life. Word that she was a Christian reached the governor, and the saint was sent to the eighty-year-old pagan priest Evilasius, who was ordered to turn the saint away from Christ.

Jacques Callot
Ste. Fauste et S. Evilase/ St. Fausta and St. Evilasius, c. 1636
Etching; second state of two (Lieure)
2 5/8 x 1 15/16 in. (6.6 x 5 cm)
This etching was originally one of four oval scenes on a plate in the series
Les Images De Tous Les Saincts et Saintes de L'Année
The Metropolitan Museum of Art

Jacques Callot, (born March–August 1592, Nancy, France—died March 24, 1635, Nancy), French printmaker who was one of the first great artists to practice the graphic arts exclusively. His innovative series of prints documenting the horrors of war greatly influenced the socially conscious artists of the 19th and 20th centuries.

He learned the technique of engraving in Rome. About 1612 he went to Florence. At that time Medici patronage expended itself almost exclusively in feste, quasi-dramatic pageants, sometimes dealing in allegorical subjects, and Callot was employed to make pictorial records of these mannered, sophisticated entertainments. He succeeded in evolving a naturalistic style while preserving the artificiality of the occasion, organizing a composition as if it were a stage setting and reducing the figures to a tiny scale, each one indicated by the fewest possible strokes. This required a very fine etching technique. His breadth of observation, his lively figure style, and his skill in assembling a large, jostling crowd secured for his etchings a lasting popular influence all over Europe.

He illustrated sacred books, made a series of plates of the Apostles, and visited Paris to etch animated maps of the sieges of La Rochelle and the Île de Ré. In his last great series of etchings, the “small” (1632) and the “large” (1633) The Miseries and Misfortunes of War, he brought his documentary genius to bear on the atrocities of the Thirty Years’ War. Callot is also well known for his landscape drawings in line and wash and for his quick figure studies in chalk. More on Jacques Callot

The girl bravely confessed her faith and was subjected to many cruel tortures. Strengthened by the Lord, she did not feel the pain. They locked her up in a wooden trunk, but the torturers got tired of trying to saw it and burn it in the fire. The holy martyr, and even the trunk, remained unharmed, guarded by divine power. The pagan priest Evilasius was shaken by the evident and manifest power of God. He believed in the Savior and confessed himself a Christian.

The eparch Maximus was sent to investigate the matter for the emperor, and he began to torture the old man who had come to believe in Christ. Evilasius turned to Saint Fausta and asked her to pray for him, after which he bravely endured the tortures. They threw Saint Fausta to be eaten by vultures, but the creatures would not touch her. 

Unknown artist
Saint Fausta 
I have no further description, at this time

The thirteen-year-old girl was pierced with nails driven into her head and other parts of her body. Finally, they threw her into a boiling cauldron with Saint Evilasius. During this time the martyrs prayed for their torturers.

Unknown artist
They threw her into a boiling cauldron
The Martyrdom of St. Vitus, c. 1450
Oil on canvas
I have no further description, at this time

Unknown artist
The Roman threw her into a boiling cauldron
I have no further description, at this time

Seeing the faith and endurance of the saints, the eparch Maximus also was converted to Christ, and prayed to God for the forgiveness of his sins. Thrown into the same cauldron in which Saints Fausta and Evilasius suffered, he shared with them the crown of martyrdom. More on Martyr Fausta




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Monday, June 1, 2020

06 Works, Today, June 1st is Saint Justin Martyr's day, his story in Paintings #152

St Justin Martyr

Justin Martyr, an early Christian apologist, is regarded as the foremost exponent of the Divine Word, the Logos, in the second century. He was martyred, alongside some of his students, and is venerated as saint by the Catholic Church, the Anglican Church, the Eastern Orthodox Church, and the Oriental Orthodox Churches.

Most of his works are lost, but two apologies and a dialogue did survive. The First Apology, his most well known text, passionately defends the morality of the Christian life, and provides various ethical and philosophical arguments to convince the Roman emperor, Antoninus, to abandon the persecution of the Church. 


Jacques Callot, French
A bearded Justin Martyr presenting an open book to a Roman emperor, c. 1632-1635

Jacques Callot, (born March–August 1592, Nancy, France—died March 24, 1635, Nancy), French printmaker who was one of the first great artists to practice the graphic arts exclusively. His innovative series of prints documenting the horrors of war greatly influenced the socially conscious artists of the 19th and 20th centuries.


He learned the technique of engraving in Rome. About 1612 he went to Florence. At that time Medici patronage expended itself almost exclusively in feste, quasi-dramatic pageants, sometimes dealing in allegorical subjects, and Callot was employed to make pictorial records of these mannered, sophisticated entertainments. He succeeded in evolving a naturalistic style while preserving the artificiality of the occasion, organizing a composition as if it were a stage setting and reducing the figures to a tiny scale, each one indicated by the fewest possible strokes. This required a very fine etching technique. His breadth of observation, his lively figure style, and his skill in assembling a large, jostling crowd secured for his etchings a lasting popular influence all over Europe.

He illustrated sacred books, made a series of plates of the Apostles, and visited Paris to etch animated maps of the sieges of La Rochelle and the Île de Ré. In his last great series of etchings, the “small” (1632) and the “large” (1633) The Miseries and Misfortunes of War, he brought his documentary genius to bear on the atrocities of the Thirty Years’ War. Callot is also well known for his landscape drawings in line and wash and for his quick figure studies in chalk. More on Jacques Callot

Further, he also indicates, as St. Augustine would later, regarding the "true religion" that predated Christianity, that the "seeds of Christianity" actually predated Christ's incarnation. This notion allows him to claim many historical Greek philosophers (including Socrates and Plato), in whose works he was well studied, as unknowing Christians.

ST. JUSTIN was born of heathen parents at Neapolis in Samaria, about the year 103. He was well educated, and gave himself to the study of philosophy, but always with one object, that he might learn the knowledge of God. He sought this knowledge among the contending schools of philosophy.


Saint Justin chanced upon an old man, possibly a Syrian Christian

Some time afterwards, he chanced upon an old man, possibly a Syrian Christian, in the vicinity of the seashore, who engaged him in a dialogue about God and spoke of the testimony of the prophets as being more reliable than the reasoning of philosophers.

Moved by the aged man's argument, Justin choose to re-dedicate his life to the service of the Divine. His newfound convictions were only bolstered by the ascetic lives of the early Christians and the heroic example of the martyrs, whose piety convinced him of the moral and spiritual superiority of Christian doctrine. 

As a result, he decided that the only option for him was to travel throughout the land, spreading the knowledge of Christianity as the "true philosophy." His conversion is commonly assumed to have taken place at Ephesus though it may have occurred anywhere on the road from Syria Palestina to Rome.


Trial of Justin The Philosopher Justin Martyr

He then adopted the dress of a philosopher himself and traveled about teaching. During the reign of Antoninus Pius (138–161), he arrived in Rome and started his own school. In the reign of Marcus Aurelius, after disputing with the cynic philosopher Crescens, he was denounced by the latter to the authorities. Justin was tried, together with six companions, by Junius Rusticus, who was urban prefect from 163–167, and was beheaded. The martyrdom of Justin preserves the court record of the trial. More on Saint Justin Martyr


 Execution of St. Justin the Philosopher
Mosaic
Mount of Beatitudes, Palestine

Saint Justin Martyr's story





Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright
I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.
I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.
 If you enjoyed this post, please share with friends and family.
 Thank you for visiting my blog and also for liking its posts and pages.
 Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.