Unknown artist
Macarius of Rome
I have no further description, at this time
One day, the cave where holy ascetic Makarios lived was found by three monks from the Monastery of Saint Asclepius in Mesopotamia. Sergius, Hyginos and Theophilos had left the monastery in order to wander through the world, seeking a sign from God which would be beneficial for their salvation. Suddenly, as they approached the cave, they noticed a marvelous fragrance issuing forth from it.
Tzortzis Phouka, Crete
Holy Makarios the Roman, c. 1547
Fresco
Dionysiou Monastery on Mount Athos
I found no information on Tzortzis Phouka
Cretan School describes an important school of icon painting, under the umbrella of post-Byzantine art, which flourished while Crete was under Venetian rule during the late Middle Ages, reaching its climax after the Fall of Constantinople, becoming the central force in Greek painting during the 15th, 16th and 17th centuries. The Cretan artists developed a particular style of painting under the influence of both Eastern and Western artistic traditions and movements; the most famous product of the school, El Greco, was the most successful of the many artists who tried to build a career in Western Europe, and also the one who left the Byzantine style farthest behind him in his later career. More on Cretan School
Then they saw an old man walking toward them, covered only by his hair and a beard which reached his knees. He threw himself to the ground and remained there for several minutes, until he was sure the three strangers were not really demons. When he was satisfied that he was not experiencing some sort of delusion, he invited them into his cave. The oldest monk asked him to relate his story, which he did.
Saint Makarios told them that he was born in Rome and was the son of a wealthy Senator named John. When he was old enough to be married, his parents betrothed him against his will. There was a celebration following the wedding, but instead of entering the bridal chamber, he fled to the home of a pious widow, where he spent seven days secretly weeping and entreating God to help him. When he left her house, Makarios met a well-dressed old man of noble demeanor. This man ordered Makarios to accompany him. Makarios did follow him for three years, until one day they came to a cave, and then the old man vanished.
Unknown artist
Saint Macarius with the two lion cubs that had just lost their motherSkete of St. Anna on Mount Athos
I have no further description, at this time
He appeared to Makarios in a dream soon afterward and revealed that he was the Archangel Raphael, who had guided Tobias in his travels. Before departing, the Archangel entrusted him to the care of God and of two lion cubs that had just lost their mother.
Cornelis Massiys
The Temptation of Saint Macarius
The Temptation of St Anthony, 16th century
Oil on Canvas
94 x 67 cm (36,7 x 26,3 inches)
Royal Museums of Fine Arts of Belgium
Cornelis Massijs (1508, Antwerp – c. 1556, unknown), was a Flemish Renaissance painter, draughtsman and engraver, mainly known for his landscapes and, to a lesser extent, genre scenes and portraits. He is regarded as an important figure in the transition from the fantastic landscapes of Joachim Patinir to the 'pure landscapes' of later Netherlandish landscape painting.
He was the son of leading Antwerp painter Quinten Matsys and the younger brother of Jan, who also became a prominent painter. He trained under his father. He was admitted together with his brother Jan, as a master in the Antwerp Guild of St. Luke in 1531, a year after his father's death. In 1544 the brothers were forced to leave Antwerp because of their religious beliefs. Where Cornelis went and whether he ever returned to Antwerp is unknown. There is speculation that Cornelis travelled to England and later to Germany and Italy, but there is no conclusive proof for this. More on Cornelis Massijs
Soon after he first moved into the cave, Makarios saw a most beautiful young woman standing before him, who said that she also had fled from an unwanted marriage in Rome. In spite of his caution, Saint Makarios did not have sufficient discernment to escape the devil’s snare, and so he allowed the girl to spend the night in his cave. For the first time in his life, he was assaulted by the fiery darts of carnal desire, and he sinned with the girl. Suddenly she disappeared, and the devil rejoiced because he had tempted the ascetic to sin.
Bartolomé Esteban Murillo, (1617–1682) Blue pencil.svg wikidata:Q192062
Archangel Raphael
Detail: Archangel Raphael with Bishop Domonte
Oil on canvas
Pushkin Museum of Fine Arts, Moscow,
Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. More on Bartolomé Esteban Murillo
At that moment Saint Makarios realized the seriousness of his fall. Weeping bitterly, he decided to leave the cave and find another place where he might do penance. Along the way, the Archangel Raphael appeared to him once again and urged him to return. He told him that God would hear his prayers if he remained in the cave. So he went back and subjected his flesh to severe fasting, vigils and absolute self-denial for many years, so that he might recover the purity of his soul in order to contemplate God.
After he had edified the three brethren with the story of his struggles, Saint Makarios sent them on their way in peace. His sin was very great, but so was his repentance; therefore, he fell asleep in the Lord in the presence of the angels and the saints. More on Saint Macarius
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