Righteous Joseph the Patriarch
Righteous Joseph the Handsome was a son of the Old Testament patriarch Jacob, and died in about the year 1700 before the Birth of Christ. His brothers by birth were jealous of him, because the father loved him more than the other brothers, and they feared him, since he told them about his dreams, foretelling his future greatness. The brothers decided to kill Righteous Joseph, but on the suggestion of the eldest of them, Reuben, they changed their minds and first threw Joseph into a pit, and then sold him to merchants who were journeying with a caravan to Egypt.
Anton Robert Leinweber
Joseph sold by his brethren
Anton Robert Leinweber , Czech Robert Antonín
Leinweber (born February 7, 1845 in Bohemian Leipa , Kingdom of Bohemia , †
December 21, 1921 in Munich ), was a German painter and illustrator of
Czech descent.
Anton
Robert Leinweber studied painting at the Academy of Fine Arts in Dresden
.
He spent many years in North Africa, especially in Tunisia.
He created together with Philip Grot Johann and Hermann Vogel illustrations to
the children and house fairy tales of the Brothers Grimm . Leinweber also
created numerous Bible illustrations. More on Anton
Leinweber
The brothers returned home to Jacob sorrowful, with fake tears. They told him: “Father! Forgive us! Such a grave sorrow has happened! Your son, the young Joseph, is no more. In the desert we saw only his blood-stained clothes and brought them to you
In Egypt Joseph was sold to Potiphar, – head of the imperial bodyguards, and thanks to his mind and virtues, he earned the trust of his master. Righteous Joseph was exceedingly handsome, and the wife of Potiphar wanted to force him into adultery. But the chaste youth turned away the temptation.
Follower of Simon Vouet (French, 1590–1649)
Joseph and Potiphar's Wife
Oil on Canvas
115 x 138.4 cm. (45.3 x 54.5 in.)
Private collection
Simon Vouet, (born January 9, 1590, Paris, France—died
June 30, 1649, Paris), painter who introduced an Italianate Baroque
style of painting into France.
Vouet
formed his style in Italy, where he lived from 1612 to 1627. The use of
dramatic contrasts of light and shade seen in such early works as his Two
Lovers indicates that he began in Rome as a follower of Caravaggio. Works done
after 1620, however, display more idealized figures. Vouet’s Time Vanquished
(1627) breaks with the tenebrism of Caravaggio, using the more evenly diffused
white light that characterizes his later style.
He returned to Paris in 1627 at the request of Louis XIII,
who named him his first painter. Thereafter, Vouet won almost all the important
painting commissions and dominated the city artistically for 15 years. He
exercised an enormous influence with such works as Riches (c. 1630), which was
probably part of the decorative program of the château of
Saint-Germain-en-Laye. Engravings and surviving panels show that he had studied
Italian illusionistic ceiling decoration. His other principal undertakings were
in the Hôtel de Bullion and in the palace of the Cardinal de Richelieu at
Rueil. More
on Simon Vouet
Then out of malice and spite the wife of Potiphar slandered Righteous Joseph before her husband, saying that the youth wanted to defile her.
Rembrandt, (1606–1669)
Joseph accused by Potiphar's wife, c. 1655
Oil on canvas
Height: 113.5 cm (44.6 in); Width: 90 cm (35.4 in)
Gemäldegalerie, Berlin
Rembrandt Harmenszoon van Rijn (15
July 1606 – 4 October 1669) was a Dutch painter and etcher. He is
generally considered one of the greatest painters and printmakers in European
art and the most important in Dutch history. His contributions to art came in a
period of great wealth and cultural achievement that historians call the Dutch
Golden Age when Dutch Golden Age painting dominated Europe, was extremely
prolific and innovative, and gave rise to important new genres in painting.
Having achieved youthful success as a portrait painter,
Rembrandt's later years were marked by personal tragedy and financial
hardships. Yet his etchings and paintings were popular throughout his lifetime,
his reputation as an artist remained high, and for twenty years he taught many
important Dutch painters. His self-portraits form a unique and intimate
biography, in which the artist surveyed himself without vanity and with the
utmost sincerity.
In his paintings and prints he exhibited knowledge of
classical iconography, which he molded to fit the requirements of his own
experience; thus, the depiction of a biblical scene was informed by Rembrandt's
knowledge of the specific text, his assimilation of classical composition, and
his observations of Amsterdam's Jewish population. Because of his empathy for
the human condition, he has been called "one of the great prophets of
civilization. More
on Rembrandt
Believing the lie, Potiphar locked up the innocent youth in prison. Situated in prison, Saint Joseph the Handsome gained fame by his wise interpretation of dreams.
James Jacques Joseph Tissot, (French, 1836-1902)
Joseph Interprets Pharaoh's Dream, c. 1896-1902
Gouache on board
5 15/16 x 8 7/8 in. (15.1 x 22.6 cm)
Jewish Museum, New York
Jacques Joseph Tissot (15 October 1836 – 8
August 1902), Anglicized
as James Tissot, was a French painter and illustrator. He was a successful
painter of Paris society before moving to London in 1871. He became famous as a
genre painter of fashionably dressed women shown in various scenes of everyday
life. He also painted scenes and characters from the Bible. More on James Tissot
Having solved the riddle of Pharaoh's dream, – foretelling the approaching years of famine and misfortune for Egypt, Righteous Joseph was set free and made first counselor of Egypt. When the famine befell also the native-land of righteous Joseph in Palestine, Saint Joseph was able to re-settle his father with all his family into Egypt. Before his end, Righteous Joseph gave instructions to transfer his bones from Egypt to the Promised Land, which was done under the holy Prophet Moses (Comm. 4 September), 1496 BC. Through his sons Manassah and Ephraim, Saint Joseph the Handsome is situated at the head of two of the tribes of Israel. More on Righteous Joseph the Handsome
David Roberts
Joseph's Tomb, c. 1839.
David Roberts RA (b Stockbridge [now a district of Edinburgh], 24 Oct. 1796; d London, 25 Nov. 1864). Scottish painter. He was apprenticed to a house painter, then worked as a scene painter for theatres in Edinburgh and Glasgow. In 1822 he settled in London and worked at the Drury Lane Theatre with his friend Clarkson Stanfield. From 1833 he travelled widely in Europe and the Mediterranean basin and made a fortune with his topographical views.
He worked in oil and watercolour and published lavishly
illustrated books, among them the six-volume Views in the Holy Land, Syria,
Idumea, Arabia, Egypt and Nubia (1842–9). His work can be monotonous when seen
en masse, but at his best he combines bold design with precise
observation. More David
Roberts
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