Oil on canvas
Height: 304 cm (119.6 in); Width: 587.5 cm (19.2 ft)
State Tretyakov Gallery, Moscow
Height: 304 cm (119.6 in); Width: 587.5 cm (19.2 ft)
State Tretyakov Gallery, Moscow
Blessed Basil the Fool-for-Christ is one of the most well-known fools-for-Christ from Moscow. Russians have always venerated fools-for-Christ – those who rejected outward decorum and pretended to be insane so as to hide their abilities and virtues, and condemned the world for lack of the said virtues. They were entitled to judge the world because of their spiritual prowess and pure heart.
Vitaliy Grafov is an established mid-career contemporary artist. Vitaliy Grafov was born in 1977.
Grafov was predominantly influenced by the 1980s. The 1980s were a tumultuous time culturally, and were marked by growing global capitalism, global mass media, significant discrepancies in wealth, alongside a distinctive sense of music and fashion, epitomised by electronic pop music and hip hop. Artists growing up during this time were heavily influenced by this cultural atmosphere. The 1980s were an important decade in terms of politics, marked by the African Famine and the end of the Cold War, which was signified by the fall of the Berlin Wall in 1989. Neo Geo and The Pictures Generation became leading art movements during the decade, alongside Neo-Expressionism which became well-known in Germany, France and Italy (where it was known as Transavanguardia). Artists such as Anselm Kiefer, Jörg Immendorf, Enzo Cucchi, Francesco Clemente and Julian Schnabel were leading artists of the era, alongside Jean-Michel Basquiat, Keith Haring and Kenny Scharf, who established the street art and graffiti movements. More on Vitaliy Grafov
Saint Basil the Blessed Fool, the Wonderworker of Moscow, used to throw stones at wonderworking icons and argue with Ivan the Terrible, condemning him of shedding innocent blood. The tsar listened to him patiently and didn’t allow anyone to touch the blessed fool-for-Christ.
Andrei Petrovich Ryabushkin (1861 – 1904) was a Russian painter. His major works were devoted to life of ordinary Russians of the 17th century.
Ryabushkin's father and brother were icon painters, and he started to help them from his early childhood. At 14 years old he became an orphan. A student of Moscow School of Painting, Sculpture and Architecture happened to see the boy’s drawings and was greatly impressed by them. He started to give him lessons and helped him to enter the Moscow School. Ryabushkin was one of the youngest student of the school at all times.
Ryabushkin stayed at the Moscow School for seven years (1875–82). He moved to Saint Petersburg in 1882, and entered the Imperial Academy of Arts . The classes soon disappointed him.
His studies at the academy came to an end in 1892. He did not receive an award for his diploma work, Descent from the Cross, because he did not follow the approved project. But the work was so good that the president of the academy provided Ryabushkin with a stipend for travel and studies abroad from his own means. Ryabushkin chose to make a tour of ancient Russian towns. The inhabitants became his first models and his first critics.
His paintings were mostly devoted to the 17th century. He also worked on frescoes for Saint Sophia Cathedral and mosaics for the Church of the Savior.
In 1903 Ryabushkin was diagnosed with tuberculosis. He went to Switzerland for treatment but it did not help. He died in his studio in Didvino on 27 April 1904. He is buried in Lyuban, and his tomb is protected as a cultural monument. More on Andrei Petrovich Ryabushkin
One day, when Ivan the Terrible invited the saint to his palace for a talk, Saint Basil was offered a cup of wine but he poured the wine out three times. The tsar was angry but Basil told him that it was his way of extinguishing the fire of Novgorod. Soon, the king’s messengers confirmed St. Basil’s words. Residents of Novgorod told them that they had seen a naked man with a bucket of water during the fire. The man was pouring water on the fire and made it go away at last. St. Basil’s miraculous extinguishing of the terrible Moscow Fire of 1547 is also well-known.
Blessed Basil was born in the second half of the 15th century in Yelokhovo, a village near Moscow.
He worked as a shoemaker when he was young. Some time later, a weird man appeared on the banks of the Moskva River. He was going around naked throughout the year and doing strange things. He would turn over a table with kalatches, Eastern European bread, or spill a jug of kvass, a traditional fermented Slavic and Baltic beverage commonly made from rye bread. The furious merchants would give the fool-for-Christ a thrashing, while he was happy to accept it with gratitude to God. Later, it would come to light that the kalatches and the kvass were no longer safe to eat. The veneration of Blessed Basil was growing exponentially. People recognized him as a true fool-for-Christ, a man of God who rebuked all untruth.
Saint Basil the Blessed reposed in the Lord on August 2 (O.S.), 1552. More on Blessed Basil
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