The Martyrs Anicetas and Photios (his nephew) were natives of Nicomedia.
Anicetas, a military official, denounced the emperor Diocletian (284-305) for having set up in the city square an implement of execution for frightening Christians.
The enraged emperor ordered Saint Anicetas to be tortured, and later condemned him to be devoured by wild beasts. But the lions they set loose became gentle and fondled up to him. Suddenly there began a strong earthquake, resulting in the collapse of the pagan temple of Hercules, and many pagans perished beneathe the crumbled city walls. The executioner took up a sword to cut off the saint's head, but he himself fell down insensible.
The martyr's nephew, Saint Photios, saluted the sufferer and turned to the emperor, remarking: "O idol-worshipper, thine gods – be nothing!" The sword, held over the new confessor, instead struck the executioner himself. Then the martyrs were thrown into prison. After three days Diocletian began to urge them: "Worship our gods, and I shalt give ye glory and riches". The martyrs answered: "Perish thou with thine honour and riches!"
Michelangelo Merisi da Caravaggio (29 September 1571 in Caravaggio – 18 July 1610) was an Italian painter active in Rome, Naples, Malta, and Sicily between 1592 and 1610. His paintings, which combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, had a formative influence on Baroque painting.
Caravaggio trained as a painter in Milan under Simone Peterzano who had himself trained under Titian. In his twenties Caravaggio moved to Rome where there was a demand for paintings to fill the many huge new churches and palazzos being built at the time. It was also a period when the Church was searching for a stylistic alternative to Mannerism in religious. Caravaggio's innovation was a radical naturalism that combined close physical observation with a dramatic use of chiaroscuro which came to be known as tenebrism (the shift from light to dark with little intermediate value).
He gained attention in the art scene of Rome in 1600 with the success of his first public commissions, the Martyrdom of Saint Matthew and Calling of Saint Matthew. Thereafter he never lacked commissions or patrons, yet he handled his success poorly. He was jailed on several occasions, vandalized his own apartment, and ultimately had a death sentence pronounced against him by the Pope after killing a young man, possibly unintentionally, on May 29, 1606. He fled from Rome with a price on his head. He was involved in a brawl in Malta in 1608, and another in Naples in 1609. This encounter left him severely injured. A year later, at the age of 38, he died under mysterious circumstances in Porto Ercole in Tuscany, reportedly from a fever while on his way to Rome to receive a pardon.
Famous while he lived, Caravaggio was forgotten almost immediately after his death, and it was only in the 20th century that his importance to the development of Western art was rediscovered. More on Caravaggio
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