The representation is carried out without historicist criteria, with the clothes of the XV century.
Bernat Martorell (1390 died 1452 in Barcelona) was a Catalan painter. He is considered to be the most important artist of the International Gothic style in Catalonia. Little is known of his life prior to 1427. The style of Martorell is contrastingly different from the Catalunyan Gothic painters who preceded. Martorell was familiar with contemporary Flemish painting, however, the documented part of his biography does not explain this influence. On the other hand, stylistic parallels have been drawn between Martorell and contemporary Italian artists.
One of the earliest surviving works of Martorell, Saint George Killing the Dragon (above), depicting Bernat Martorell's patron saint, was created in the early 1430s and already demonstrates the complexity of composition, richness of colors and fine details which could only been executed by a fully trained artist. These details were not present in Catalan art before Martorell.
In 1437, Bernat Martorell got a commission to create an altarpiece for the church in Púbol. The altarpiece devoted to Saint Peter, is currently in Museu d'Art de Girona and is the only directly documented piece produced by the artist. More Bernat Martorell
John William Waterhouse (April 6, 1849 – February 10, 1917) was an English painter known for working in the Pre-Raphaelite style. He worked several decades after the breakup of the Pre-Raphaelite Brotherhood, which had seen its heyday in the mid-nineteenth century, leading to his sobriquet "the modern Pre-Raphaelite". Borrowing stylistic influences not only from the earlier Pre-Raphaelites but also from his contemporaries, the Impressionists, his artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend.
Born in Italy to English parents who were both painters, he later moved to London, where he enrolled in the Royal Academy of Art. He soon began exhibiting at their annual summer exhibitions, focusing on the creation of large canvas works depicting scenes from the daily life and mythology of ancient Greece. Later on in his career he came to embrace the Pre-Raphaelite style of painting despite the fact that it had gone out of fashion in the British art scene several decades before. More on John William Waterhouse
Lluís Dalmau was a Spanish 15th-century painter who flourished between 1431 and 1460. He lived in the court of Aragón. He worked for the court, and King Alfonso the Magnanimous sent him on a mission to Bruges (1431-1436). This important city in the Low Countries was where painter Jan van Eyck worked. Dalmau was frequently at his workshop and learned from his works. Lluís was the painter who introduced the Flemish style to Spain. His work mostly clearly painted in this style is the famous alterpiece of the Virgen dels Consellers (1445), commissioned by the Consell de Cent. The piece depicts a gallery of angel musicians practically identical to the angels in the polyptych of Ghent by Van Eyck.
Though most of his work has been lost, the few paintings that survive are of great significance. More on Lluís Dalmau
Pedro Garcia Benavarre, or Benabarre (Benabarre, Huesca 1445-1485) was a Spanish-Flemish Gothic painter active in Aragon and Catalonia. Garcia was documented in 1445 in Zaragoza in Blasco union Grañén painter, who could be his teacher and with whom he collaborated as an assistant between 1445 and 1447. This Zaragoza highlights the execution stage of the altarpiece of Villarroya of Campo. The two partners also worked at painting altarpieces for the church of the monastery of San Pedro de Siresa in Jacetania.
In 1452 he was established in Benabarre and worked on his own. From there he moved to Barcelona in 1455, hired by the widow and son of Bernat Martorell, with whom he pledged to finalize unfinished works by the master.
It is likely that the terms of the contract signed with the Martorell were not met in full. Benabarre then worked at various nearby locations. At this stage, he had contracted to paint numerous altarpieces, including his most famous works: the Virgin enthroned and four angels or Virgen de Bellcaire, from the parish church of Bellcaire d'Urgell, now at the National Museum Art de Catalunya.
By 1481 he settled in Barbastro, painting the altarpiece at the church of the convent of San Francisco
More than forty works have been attributed Pedro Garcia de Benabarre. More on Pedro Garcia de Benabarre
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