Showing posts with label Constantine. Show all posts
Showing posts with label Constantine. Show all posts

Friday, June 26, 2020

07 Works, Today, June 26th, is Saints John and Paul's day, their story in Paintings #177

Unknown artist
Saints John and Paul, Martyrs of Rome
I have no further description of this artwork at this time

John and Paul are saints who lived during the fourth century in the Roman Empire. They were martyred at Rome on 26 June, in their own home.

Pietro da Cortona,  (1596–1669)
Detail: Saint Constantia's Vision before the Tomb of Saints Agnes and Emerentiana, circa 1654
Oil on canvas
Height: 97.80 mm (3.85 in); Width: 132.10 mm (5.20 in)
Museum of Fine Arts, Houston

Pietro da Cortona (1 November 1596/7 – 16 May 1669) was born Pietro Berrettini, but is primarily known by the name of his native town of Cortona in Tuscany. He was the leading Italian Baroque painter of his time and, along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, was one of the key figures in the emergence of Roman Baroque architecture. He was also an important designer of interior decorations.

Cortona worked mainly in Rome and Florence. He is best known for his frescoed ceilings such as the vault of the salone or main salon of the Palazzo Barberini in Rome and carried out extensive painting and decorative schemes for the Medici family in Florence and for the Oratorian fathers at the church of Santa Maria in Vallicella in Rome. He also painted numerous canvases. Only a limited number of his architectural projects were built but nonetheless they are as distinctive and as inventive as those of his rivals. More on Pietro da Cortona

After a successful career of soldiering, Constantine the Great, entrusted Saints John and Paul, who were eunuchs, with the protection of Constantia; his eldest daughter from his second wife Fausta. 

Unknown artist
Emperor Constantine with a model of the Constantinople, c. 1000
Mosaics in the Hagia Sophia

Upon the death of Constantine in 337 and his bequeathal of a formidable inheritance, Saints John and Paul retired to private life, built a house on the Caelian Hill, led exemplary lives and prospered under the reign of Constantine II.

Unknown artist
Julian the Apostate
I have no further description of this artwork at this time

In A.D. 361, Julian the Apostate ascended to the imperial throne. From his youth, Julian had exhibited strong pagan tendencies, and reestablished many pagan practices, persecuted the Church, and challenged the authority of bishops throughout the empire.

In the summer of 362, he called Saints John and Paul back to military service in his court. Their acquiescence to Julian’s request would have meant a denial of their Catholic faith, since court officials were required to offer incense to false pagan gods.

Unknown artist
St. John and St. Paul with their martyrdom gear
33.9 x 50.8 cm | 13.3 x 20 inches
Ilstorp, Sweden

Saints John and Paul recoiled at the thought of apostasy. Their refusal enraged Julian who accused them of impiety, a capital crime. Certain that Julian would order their deaths, Saints John and Paul charitably dispersed their earthly possessions to the poor of Rome.

Julian sought to murder them, but he feared public outcry, for the Saints were extremely popular. Thus, the Emperor dispatched Terentianus, an officer of his court, with a murderous objective to their home. When he entered, he found Saints John and Paul at prayer.

Guercino, (1591–1666)
Martyrdom of Saints John and Paul, c. 1632
Oil on canvas
Height: 310 cm (10.1 ft); Width: 205 cm (80.7 in)
Musée des Augustins, Toulouse, France

Depicted people; Virgin Mary , Child Jesus, John the Apostle, Paul

Giovanni Francesco Barbieri (February 8, 1591 – December 22, 1666), best known as Guercino, was an Italian Baroque painter and draftsman from the region of Emilia, and active in Rome and Bologna. The vigorous naturalism of his early manner is in contrast to the classical equilibrium of his later works. His many drawings are noted for their luminosity and lively style.

Mainly self-taught, at the age of 16, he worked as apprentice in the shop of Benedetto Gennari, a painter of the Bolognese School. By 1615, he moved to Bologna, where his work was praised by Ludovico Carracci. Guercino painted two large canvases, Elijah Fed by Ravens and Samson Seized by Philistines, for Cardinal Serra, a Papal Legate to Ferrara. These paintings have a stark naturalist Caravaggesque style, although it is unlikely that Guercino saw any of the Roman Caravaggios first-hand.


Guercino's early works are often tumultuous. He often claimed that his early style was influenced by a canvas of Ludovico Carracci that he saw in the Capuchin church in Cento. Some of his later works are closer to the style of his contemporary Guido Reni, and are painted with more lightness and clearness. More on Guercino

When they rejected Terentianus’ order to offer sacrifice to Jupiter, he ordered them, on Julian’s prior instruction, beheaded on the night of June 26, 362 in their own home. Then Terentianus buried their bodies in the house and spread the rumor that Julian had sent Saints John and Paul into exile.

A certain person, praying in the house, was granted a vision, wherein he saw, and loudly proclaimed, the details of the heinous crime.

Unknown artist
Roman Emperor Julian “the Apostate” is killed during the retreat from the Sasanian Empire. General Jovian is proclaimed Emperor by the troops on the battlefield
I have no further description of this artwork at this time

One year later to the day of the martyrdom of Saints John and Paul, on June 26, 363, Julian the Apostate, was felled by an arrow while campaigning in Mesopotamia. He died with the words “Thou hast conquered, Galilean”. More on Saints John and Paul





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Saturday, April 4, 2020

04 Works, Today, April 4th, is Saints Plato’s day, With Footnotes - #92

Saint Plato of Sakkoudion


Saint Plato of Sakkoudion's wealthy parents died of disease before he was 13. Excellent student. Pious from youth, he turned away from the world of the royal court, freed his slaves, sold his estates, gave the money to his sisters and the poor, and at age 24 he moved to the monastery at Symbolean on Mount Olympus, though he never took holy orders and remained a layman. He spent his days in prayer, menial labour, and copying holy books.

In 775 Plato made a journey to Constantinople on business, and managed to inspire many of the citizens of all stations to better, more pious lives. The patriarch Paul tried to make him bishop of Nicomedia, but Plato retreated to his monastery.

His sister Theoctista’s entire family embraced a religious state, founded a monastery of Saccudion, near Constantinople, and prevailed upon Plato to direct it in 782. In 794 he turned it over to his nephew, Saint Theodorus.


Constantine VI (right to the cross) presiding over the Second Council of Nicaea, 11th century
Menologion of Basil II

The Menologion of Basil II is an illuminated manuscript designed as a church calendar or Eastern Orthodox Church service book (menologion) that was compiled c. 1000 AD, for the Byzantine Emperor Basil II (r. 976–1025). It contains a synaxarion, a short collection of saints' lives, compiled at Constantinople for liturgical use, and around 430 miniature paintings by eight different artists. It was unusual for a menologion from that era to be so richly painted. It currently resides in the Vatican Library. More on The Menologion of Basil II

Constantine repudiated his empress, Maria of Amnia

The emperor Constantine repudiated his empress, Mary, and married Theodota, a relative of Plato; Plato and Theodorus published a sentence of excommunication against him. Joseph, the treasurer of the church, and several other mercenary priests and monks, tried to convince Plato to approve the emperor’s divorce, but he refused, scolded the emperor to his face, and was imprisoned until Constantine’s death in 797.

Saracen invaders

In the face of the Saracen invasions, the monks of Saccudion abandoned their settlement for Studius where Plato vowed obedience to his nephew Theodorus, and lived as a recluse in a narrow cell, in perpetual prayer and manual labor, one foot fastened to the ground with a heavy iron chain which he hid with his cloak when anyone came to see him.

In 807, Joseph, the priest who had presided at the wedding of Constantine and Theodoat, was restored to his position and made treasurer of the church by order of emperor Nicephorus. Plato considered this scandalous, and loudly condemned it. The emperor had him guarded for a year by a troop of insolent soldiers and false monks after which Plato was unjustly condemned by a council of court bishops, then banished to be conducted from place to place in the isles of Bosphorus for four years until freed in 811 by the new emperor Michael I. Plato then returned to his cell and his life of prayer.

In 813, Plato saw that his end was near, directed his grave be dug, had himself carried to it, lived laying in it, spending his last days in prayer and receiving guests from his grave including his former enemy, the priest Joseph who came to ask for Plato’s prayers. More on Saints Plato





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Monday, March 9, 2020

03 Works, Today, March 9th, is The Holy Forty Martyrs of Sebastia's Day, With Footnotes - #67

The Holy Forty Martyrs of Sebastia

The Holy Forty Martyrs of Sebastia,  were a group of Roman soldiers in the Legio XII Fulminata (Armed with Lightning), under one general, taken captive in the time of Licinius,  in 320, victims of the persecutions of Licinius, who after 316, persecuted the Christians of the East. 

They were stripped naked and cast onto a frozen lake at Sebastia in Pontus. They endured the entire night, encouraging each other to be patient. Some accounts say that their persecutors placed warm baths in their sight on the shore to entice them to renounce Christ. Finally one of their number, broken by his sufferings, apostatized and left the company. One of the guards, named Aglaius, saw in a vision thirty-nine wreaths descending from heaven onto the heads of the faithful sufferers, and was moved to declare himself a Christian. He was immediately sent to join the martyrs on the frozen lake, keeping the number of forty complete. 


Forty Martyrs of Sebaste, end of XIX c.

In the morning all of them, almost dead, were cast into fire, and their remains thrown in the lake. On the third day the martyrs appeared to Peter, the local bishop, and told him to search for them in the lake. The bishop went to the lake on a dark night with his clergy, and one account says that the bones of the martyrs rose to the surface and burned there like a candle. The relics were gathered and given honorable burial.

This is the most common account. The Prologue gives a somewhat different version, in which the martyrs were made to stand, not on the frozen lake, but in the freezing waters.

On 18 September, 324, The Battle of Chrysopolis was fought between Constantine I and Licinius. The battle was the final encounter between the two emperors.

The religious aspect of the conflict was reflected in Licinius drawing up his battle lines with images of the pagan gods of Rome prominently displayed, whilst Constantine's army fought under his talismanic Christian standard, the labarum. Licinius had developed a superstitious dread of the labarum and forbade his troops from attacking it, or even looking directly at it.


Battle of Chrysopolis

Licinius was persuaded to throw himself on the mercy of his enemy. Constantia, Constantine's half-sister and Licinius' wife, acted as intermediary. Initially, yielding to the pleas of his sister, Constantine spared the life of his brother-in-law, but some months later he ordered his execution, thereby breaking his solemn oath. Licinius was suspected of treasonable actions and the army command pressed for his execution. More on The Holy Forty Martyrs of Sebastia

The names of the Forty Martyrs as follows: Hesychius, Meliton, Heraclius, Smaragdus, Domnus, Eunoicus, Valens, Vivianus, Claudius, Priscus, Theodulus, Euthychius, John, Xantheas, Helianus, Sisinius, Cyrion, Angius, Aetius, Flavius, Acacius, Ecditius, Lysimachus, Alexander, Elias, Candidus, Theophilus, Dometian, Gaius, Gorgonius, Leontius, Athanasius, Cyril, Sacerdon, Nicholas, Valaerius, Philoctimon, Severian, Chudion, and Aglaius






Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.