05 works, Today, October 25th, is Saint Tabitha's day, her story illustrated #296

Sarah Beth Baca

Saint Tabitha

Private collection

Sarah Beth Baca, a Houston-based painter, works with acrylic, oil, collage, and mixed media illustrations. Her current series titled Full Image, Women of the Bible, brings together watercolor and ink work to brightly illustrate imaginative half portraits-each piece evokes deep meaning and symbolism as it reimagines the lives of women whose stories have been overlooked or misunderstood. Her studies in theology, gender equality, racial reconciliation, and community development have influenced the themes of her paintings.

Sarah Beth has engaged churches and faith organizations with her art throughout her career. From her launch pad at Houston Baptist University, she has gone on to paint on church stages, organize group art exhibits in churches, and collaborate on community art projects. Her portraits of women of the Bible are used frequently around the world to illustrate sermons and Bible studies, and her art is collected worldwide. More on Sarah Beth

Tabitha is the Aramaic translation of the Greek name “Dorcas,” which means gazelle. Today, one specific species of gazelle found throughout Palestine is known as the dorcas gazelle.

Tabitha, living in the port city of Joppa (modern-day Jaffa, near Tel Aviv), is the only woman in the New Testament who is plainly called a “disciple.”

Isaac van Swanenburg, (1537–) 

Spinning, warping and weaving, between 1594 and 1596

Museum De Lakenhal,  Leiden, Netherlands

Isaak Nicolai or Isaac Claesz van Swanenburg (1537 – 1614 in Leiden) was a Dutch Renaissance painter and glazier active in Leiden and Gouda. He was a city council member from 1576 and became mayor of Leiden five times.

Swanenburg was a very good painter, whose paintings hung in various council buildings of Leiden. According to the Netherlands Institute for Art History, Swanenburg was in Antwerp studying with Floris for 6–8 years in his youth, and settled in Leiden after his training in 1565. He briefly fled to Hamburg for a year during the Siege of Leiden, but had returned by 1574. He kept a large and respected workshop in Leiden, for oil- and glass painting. He was buried in the Pieterskerk, Leiden. More on Isaac van Swanenburg

Dorcas specialized as a weaver and manufactured tunics and garments, which she would sell and from these proceeds she supported the poor, widows and orphans. It seems that she was a woman of standing within the community, and was completely occupied with good deeds and almsgiving. It is likely that she was a woman of some means, given her ability to help the poor.

Masolino da Panicale, (1383–1447)

Sermon of St. Peter, 1426-27

Fresco

255 x 162 cm

Masolino Brancacci Chapel, Florence, central Italy

Masolino da Panicale, see below

While the Apostle Peter was out spreading the gospel, and he arrived in Lydda of Palestine, it happened that Dorcas fell ill and died. And though she was ready for burial, it became known that Peter was in Lydda. 

Masolino da Panicale, (1383–1447)

The Healing of Tabitha, c. 1420s

Fresco

Masolino Brancacci Chapel, Florence, central Italy

Masolino da Panicale (born 1383, Panicale, near Perugia, Romagna—died probably 1440–47, Florence) was a painter who achieved a compromise between the International Gothic manner and the advanced early Renaissance style of his own day and who owes his prominence in the history of Florentine art not to his innovations but to his lyrical style and his unfailing artistry.

In 1423, Masolino joined the Florentine guild Arte dei Medici e Spezial, which included painters as an independent branch He spent many years traveling, including a trip to Hungary from September 1425 to July 1427. He was selected by Pope Martin V, on the return of the papacy to Rome in 1420, to paint the altarpiece for his family chapel in the Basilica of Santa Maria Maggiore, and later by Cardinal Branda da Castiglione to paint the Saint Catherine Chapel in the Basilica of San Clemente, Rome. In the interim, he collaborated with his younger colleague, Masaccio, to paint the frescoes in the Brancacci Chapel in the Basilica of Santa Maria del Carmine, Florence, which were much admired by fellow artists throughout the fifteenth century. He painted a cycle of 300 famous historical figures in the Orsini Palace in Rome about 1433-4 and also worked in Todi. He spent his later years, after 1435, working for Cardinal Branda Castiglione in Castiglione Olona. More on Masolino da Panicale

Then two were sent to plead with Peter to come to Joppa. When he arrived he went upstairs to the room in which they kept the body of Dorcas. Peter was moved, and without saying anything, after sending everyone outside the room, he knelt and prayed fervently. Then he said: "Tabitha, rise up." And indeed the dead woman resurrected! This was received with immense joy by all those in attendance.

After this Tabitha lived many years, "always doing good works and acts of charity." Death found her again in old age. And so this benevolent woman departed in peace and with joy. More on Saint Tabitha

Philip Galle, (1537–1612) 

Maarten van Heemskerck  (1498–1574)

St Peter Raising Tabitha at Joppa, c. 1575

Engraving process

Height: 213 mm (8.3 in); Width: 275 mm (10.8 in)

Royal Library of Belgium

Philip (or Philips) Galle (1537 – March 1612) was a Dutch publisher, best known for publishing old master prints, which he also produced as designer and engraver. He is especially known for his reproductive engravings of paintings. More on Philip Galle

Maerten van Heemskerck or Marten Jacobsz Heemskerk van Veen (1 June 1498 – 1 October 1574) was a Dutch portrait and religious painter, who spent most of his career in Haarlem. He was a pupil of Jan van Scorel, and adopted his teacher's Italian-influenced style. He spent the years 1532–6 in Italy. He produced many designs for engravers, and is especially known for his depictions of the Wonders of the World. More on Maerten van Heemskerck

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, 365 Saints, 365 Days, and Biblical Icons, also visit my Boards on Pinterest and my art stores at  deviantart and Aaroko

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06 works, Today, October 18th, is Apostle and Evangelist Luke's day, his story illustrated #289

Jacob Jordaens, (1593–1678)

The Four Evangelists, between 1620 and 1625

Matthew, Mark, Luke, and John

Oil on canvas

Height: 133 cm (52.3 in); Width: 118 cm (46.4 in)

Louvre Museum, Paris, France

Jacob Jordaens (19 May 1593 – 18 October 1678) was a Flemish painter, draughtsman and tapestry designer known for his history paintings, genre scenes and portraits. After Peter Paul Rubens and Anthony van Dyck, he was the leading Flemish Baroque painter of his day. Unlike those contemporaries he never travelled abroad to study Italian painting, and his career is marked by an indifference to their intellectual and courtly aspirations. In fact, except for a few short trips to locations in the Low Countries, he remained in Antwerp his entire life. As well as being a successful painter, he was a prominent designer of tapestries. Like Rubens, Jordaens painted altarpieces, mythological, and allegorical scenes, and after 1640—the year Rubens died—he was the most important painter in Antwerp for large-scale commissions and the status of his patrons increased in general. However, he is best known today for his numerous large genre scenes based on proverbs in the manner of his contemporary Jan Brueghel the Elder, depicting The King Drinks and As the Old Sing, So Pipe the Young. Jordaens' main artistic influences, besides Rubens and the Brueghel family, were northern Italian painters such as Jacopo Bassano, Paolo Veronese, and Caravaggio. More on Jacob Jordaens

The Holy Apostle and Evangelist Luke, was a native of Syrian Antioch, a companion of the holy Apostle Paul, and a physician enlightened in the Greek medical arts. Hearing about Christ, Luke arrived in Palestine and fervently accepted the preaching of salvation from the Christ Himself. As one of the Seventy Apostles, Saint Luke was sent by the Christ with the others to preach the Kingdom of Heaven. After the Resurrection, the Jesus Christ appeared to Saints Luke and Cleopas on the road to Emmaus.

Charles de La Fosse (1636–1716)

St Paul Commanding St Luke to Accompany Him to Rome, c. 1692

Oil on canvas

H 81.5 x W 104 cm

The Bowes Museum, Durham, England

Charles de La Fosse (June 15, 1636 – December 13, 1716), French painter, was born in Paris. He was one of the most noted and least servile pupils of Le Brun, under whose direction he shared in the chief of the great decorative works undertaken in the reign of Louis XIV. Leaving France in 1662, he spent two years in Rome and three in Venice. The influence of his prolonged studies of Veronese is evident in his Finding of Moses (Louvre), and in his Rape of Proserpine (Louvre), which he presented to the Royal Academy as his diploma picture in 1673. He was at once named assistant professor, and in 1674 the full responsibilities of the office devolved on him, but his engagements did not prevent his accepting in 1689 the invitation of Lord Montagu to decorate

He visited London twice, remaining on the second occasion—together with Rousseau and Monnoyer more than two years. William III vainly strove to detain him in England by the proposal that he should decorate Hampton Court, for Le Brun was dead, and Mansart pressed La Fosse to return to Paris to take in hand the cupola of Les Invalides. During his latter years La Fosse executed many other important decorations in public buildings and private houses. The artis't works and conception played a key role in the French art history from shifting the classicism of the French style from the court of Louis XIV towards the lighter and more playful Rococo period's style. More on Charles de La Fosse

Luke accompanied Saint Paul on his second missionary journey, and from that time they were inseparable. When Paul’s coworkers had forsaken him, only Luke remained to assist him in his ministry. After the martyric death of the First-Ranked Apostles Peter and Paul, Saint Luke left Rome to preach in Achaia, Libya, Egypt and the Thebaid. He ended his life by suffering martyrdom in the city of Thebes.

Maarten van Heemskerck, (1498–1574)

St. Luke painting the Virgin, c. 1532

Oil on panel

168 x 235 cm

Frans Hals Museum, Haarlem, the Netherlands

Maerten van Heemskerck or Marten Jacobsz Heemskerk van Veen (1 June 1498 – 1 October 1574). The artist is named after Heemskerk, the village of his birth, which lies a short distance to the north of Haarlem. Heemskerck first studied in Haarlem and then in Delft. Between 1527 and 1530 Heemskerck worked with Jan van Scorel during the period that Scorel resided in Haarlem and was ostensibly attracted by the new manner of painting that Scorel had brought back from Italy. Heemskerck himself remained in Haarlem until at least May of 1532, at which point he set off for Rome, arriving there by July 1532.

While in Rome Maerten van Heemskerck made accurate, conscientious sketches of antique ruins and statues; he was influenced by Raphael and contemporary artists such as Michelangelo and Salviati. It is also likely that on his way home, in late 1536 or early 1537, Heemskerck stopped in Mantua and viewed the work of Giulio Romano. By 1537 Heemskerck was back in Haarlem, where he was to remain virtually the rest of his life. Heemskerck belonged to the Haarlem Guild of Saint Luke; he was a minor official in 1551 and 1552 and deacon of the Guild in 1554. When the Spanish laid siege to the city of Haarlem in 1572, the artist was given permission to live in Amsterdam. Maerten van Heemskerck returned to Haarlem the following year and died at the age of seventy-six on 1 October 1574. More on Maerten van Heemskerck

Tradition credits Saint Luke with painting the first icons of the Mother of God. “Let the grace of Him Who was born of Me and My mercy be with these Icons,” said the Virgin after seeing the icons. Saint Luke also painted icons of the First-Ranked Apostles Peter and Paul. Saint Luke’s Gospel was written in the years 62-63 at Rome, under the guidance of the Apostle Paul. In the preliminary verses, Saint Luke precisely sets forth the purpose of his work. He proposes to record, in chronological order, everything known by Christians about Jesus Christ and His teachings. By doing this, he provided a firmer historical basis for Christian teaching. He carefully investigated the facts, and made generous use of the oral tradition of the Church and of what the Virgin Mary Herself had told him.

Masolino (1426)

The Book of Acts: Making Jesus Known

Oil on canvas

I have no further description, at this time

Masaccio (December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance. According to Vasari, Masaccio was the best painter of his generation because of his skill at imitating nature, recreating lifelike figures and movements as well as a convincing sense of three-dimensionality.

Despite his brief career, he had a profound influence on other artists and is considered to have started the Early Italian Renaissance in painting with his works in the mid- and late-1420s. He was one of the first to use linear perspective in his painting, employing techniques such as vanishing point in art for the first time. He moved away from the International Gothic style and elaborate ornamentation of artists like Gentile da Fabriano to a more naturalistic mode that employed perspective and chiaroscuro for greater realism.

Masaccio died at the age of twenty-six and little is known about the exact circumstances of his death. More on Masaccio

Saint Luke also wrote the Acts of the Apostles at Rome around 62-63 A.D. The Book of Acts, which is a continuation of the four Gospels, speaks about the works and the fruits of the Apostles after the Ascension of the Christ. 

Unknown artist

The Jerusalem Council

Icon

I have no further description, at this time

At the center of the narrative is the Council of the holy Apostles at Jerusalem in the year 51, a Church event of great significance, which resulted in the separation of Christianity from Judaism and its independent dissemination into the world. The theological focus of the Book of Acts is the coming of the Holy Spirit, Who will guide the Church “into all truth” until the Second Coming of Christ. 

James Tissot, (1836–1902)

Saint Luc, c. between 1886 and 1894

Gouache over graphite on gray wove paper

Height: 13.8 cm (5.4 in); Width: 10 cm (3.9 in)

Brooklyn Museum

Jacques Joseph Tissot (15 October 1836 – 8 August 1902), Anglicized as James Tissot, was a French painter and illustrator. He was a successful painter of Paris society before moving to London in 1871. He became famous as a genre painter of fashionably dressed women shown in various scenes of everyday life. He also painted scenes and characters from the Bible. More on James Tissot

Luke died at age 84 in Boeotia, Greece. More on Apostle and Evangelist Luke

Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, and 365 Saints, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.