Tuesday, March 24, 2020

07 Works, Today, March 24th, is St. Gabriel the Archangel's Day, With Footnotes - #82

Pinturicchio,  (1454–1513)
St. Gabriel the Archangel, c. 1501
Fresco
Collegiate church Santa Maria Maggiore


Pintoricchio or Pinturicchio, whose formal name was Bernardino di Betto, also known as Benetto di Biagio or Sordicchio, c.1454–1513, Umbrian painter whose real name was Bernardino di Betto. A prolific and facile painter, he was influenced by Perugino, with whom he collaborated on the frescoes for the Sistine Chapel. Pinturicchio worked chiefly in Perugia, Rome, and Siena. He decorated the Borgia apartments in the Vatican and several churches in Rome. His most elaborate project was the decoration of the cathedral library in Siena. In the Metropolitan Museum are many panels of mythological scenes from the ceiling of the reception room in the Palazzo del Magnifico in Siena. More on Pinturicchio

Gabriel, in the Abrahamic religions, is an archangel. He was first described in the Hebrew Bible and was subsequently adopted by other traditions.


Follower Francesco Solimena
The Archangel Gabriel appears to the Prophet Daniel
Oil on canvas
110 x 117.5cm (43 5/16 x 46 1/4in) 

Francesco Solimena (October 4, 1657 – April 3, 1747) was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen. He received early training from his father, Angelo Solimena, with whom he executed a Paradise for the cathedral of Nocera and a Vision of St. Cyril of Alexandria for the church of San Domenico at Solofra.


He settled in Naples in 1674, there he worked in the studio of Francesco di Maria and later Giacomo del Po. He apparently had taken the clerical orders, but was patronized early on, and encouraged to become an artist by Cardinal Vincenzo Orsini (later Pope Benedict XIII). By the 1680s, he had independent fresco commissions, and his active studio came to dominate Neapolitan painting from the 1690s through the first four decades of the 18th century. He modeled his art—for he was a highly conventional painter—after the Roman Baroque masters. Solimena painted many frescoes in Naples, altarpieces, celebrations of weddings and courtly occasions, mythological subjects, characteristically chosen for their theatrical drama, and portraits. His settings are suggested with a few details—steps, archways, balustrades, columns—concentrating attention on figures and their draperies, caught in pools and shafts of light. Art historians take pleasure in identifying the models he imitated or adapted in his compositions. His numerous preparatory drawings often mix media, combining pen-and-ink, chalk and watercolor washes. More on Francesco Solimena

In the Hebrew Bible, Gabriel appears to the prophet Daniel to explain his visions. The archangel appears in such other ancient Jewish writings as the Book of Enoch. Alongside archangel Michael, Gabriel is described as the guardian angel of Israel, defending this people against the angels of the other nations.


Domenico Ghirlandaio  (1449–1494)
Announcement of the angel to San Zaccaria , c. 1480
Tornabuoni frescoes chapel in Florence. 

Domenico Ghirlandaio (2 June 1448 – 11 January 1494) was an Italian Renaissance painter born in Florence. Ghirlandaio was part of the so-called "third generation" of the Florentine Renaissance, along with Verrocchio, the Pollaiolo brothers and Sandro Botticelli. Ghirlandaio led a large and efficient workshop that included his brothers Davide Ghirlandaio and Benedetto Ghirlandaio, his brother-in-law Bastiano Mainardi from San Gimignano, and later his son Ridolfo Ghirlandaio. Many apprentices passed through Ghirlandaio's workshop, including the famous Michelangelo. Ghirlandaio's particular talent lay in his ability to posit depictions of contemporary life and portraits of contemporary people within the context of religious narratives, bringing him great popularity and many large commissions. More on Domenico Ghirlandaio

El Greco
Anunciación, c.1600; Spain  
Oil on canvas
91 x 66.5 cm
Toledo Museum of Art, Toledo, OH, US

Doménikos Theotokópoulos (1541 – 7 April 1614), most widely known as El Greco; Spanish for "The Greek", was a painter, sculptor and architect of the Spanish Renaissance. The nickname "El Greco" refers both to his Greek origin and Spanish citizenship. The artist normally signed his paintings with his full birth name in Greek letters.

El Greco was born in Crete, which was at that time part of the Republic of Venice, and the center of Post-Byzantine art. He trained and became a master within that tradition before traveling at age 26 to Venice, as other Greek artists had done. In 1570 he moved to Rome, where he opened a workshop and executed a series of works. During his stay in Italy, El Greco enriched his style with elements of Mannerism and of the Venetian Renaissance. In 1577, he moved to Toledo, Spain, where he lived and worked until his death. In Toledo, El Greco received several major commissions and produced his best-known paintings.

El Greco's dramatic and expressionistic style was met with puzzlement by his contemporaries but found appreciation in the 20th century. El Greco is regarded as a precursor of both Expressionism and Cubism, while his personality and works were a source of inspiration for poets and writers. El Greco has been characterized by modern scholars as an artist so individual that he belongs to no conventional school. He is best known for tortuously elongated figures and often fantastic or phantasmagorical pigmentation, marrying Byzantine traditions with those of Western painting. More on El Greco

The Gospel of Luke relates the stories of the Annunciation, in which the angel Gabriel appears to Zechariah and the Virgin Mary, foretelling the births of John the Baptist and Jesus, respectively. Many Christian traditions—including Anglicanism, Eastern Orthodoxy, and Roman Catholicism—revere Gabriel as a saint.


Mohammed receiving his first revelation from the angel Gabriel
Miniature illustration on vellum from the book Jami' al-Tawarikh by Rashid al-Din, published in Tabriz, Persia, 1307 CE 
Edinburgh University Library, Scotland.

Islam regards Gabriel as an archangel sent by God to various prophets, among them Muhammad. The first five verses of the 96th chapter of the Quran, the Clot, is believed by Muslims to have been the first verses revealed by Gabriel to Muhammad.


James E. McConnell, (1903-95)
Noah's ArkNoah's Ark
Gouache on paper

James Edwin McConnell (15 July 1903 - 4 May 1995) was a British book and magazine cover artist best known for Western and historical subjects.

Born in Bedlington, Northumberland, McConnell worked for a local blockmaker before moving to London where he continued in the same trade whilst studying part-time at St. Martin's School. He went freelance in 1933, working through the Partridge Agency with whom he remained until 1953.

McConnell's early freelance work was in advertising and designing book covers. After the Second World War he established himself as one of the leading artists for the burgeoning paperback market. 

McConnell painted over 1,000 covers and frontispiece illustrations. He also contributed to the artwork in the American Roll of Honour, which lies in the American Chapel, St Paul's Cathedral, London.


As he was primarily a paperback cover artist, McConnell has rarely come to the attention of critics, although an exhibition of his Western artwork was held at the Association of Illustrators Gallery in London in 1976. More on James Edwin McConnell

The Latter Day Saints hold that the angel Gabriel is the same individual as the prophet Noah in his mortal ministry.


Melek Taus
Akshardham Temple,  India, Delhi

Yazidis consider Gabriel one of the Seven Mysteries, the heptad to which God entrusted the world and sometimes identified with Melek Taus.

The feast of Saint Gabriel was included by Pope Benedict XV in the General Roman Calendar in 1921, for celebration on 24 March. More on St. Gabriel the Archangel






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