Showing posts with label Briton Rivière. Show all posts
Showing posts with label Briton Rivière. Show all posts

Monday, August 17, 2020

04 works, Today, August 17th, is the Holy Martyr Myron's day, his story illustrated #229

Mike Hajimichael
Holy Martyr Myron
I have no further description, at this time

Michael Hajimichael is an Associate Professor at the University of Nicosia in the Department of Communications. His PhD was in Cultural Studies at The Centre for Contemporary Cultural Studies (CCCS) in England. Besides being an academic, Mike is also a performance poet, recording artist, radio presenter and freelance writer. These experiences have enhanced and informed his writing and research for the last two decades. Mike is particularly interested in art and social justice, media literacy, citizen media, colonial writing/texts, applied ethnomusicology and the impact of technology on creative processes. He also produces a weekly radio show ‘Outernational’ which is played on 5 different stations in various countries. More on Mike Hajimichael

The Holy Martyr Myron was a presbyter in Achaia (Greece), and lived during the third century. He suffered in the year 250 under the emperor Decius (249-251). The presbyter was gentle and kind to people, but he was also courageous in the defense of his spiritual children.

Peter Paul Rubens
Decius Mus Addressing the Legions, c.1616
Oil, canvas
81 x 85 cm
Rubens Liechtenstein Museum

Sir Peter Paul Rubens (28 June 1577 – 30 May 1640) was a Flemish Baroque painter. A proponent of an extravagant Baroque style that emphasized movement, colour, and sensuality, Rubens is well known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects.

In addition to running a large studio in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diplomat who was knighted by both Philip IV of Spain and Charles I of England.  More Sir Peter Paul Rubens


On the Feast of the Nativity of Christ, he was celebrating the Divine Liturgy. The local governor Antipater came into the church with soldiers so as to arrest those praying there and to subject them to torture. Saint Myron began to plead for his flock, accusing the governor of cruelty, and for this the saint was delivered over to be tortured.

William-Adolphe Bouguereau, (1825–1905)
The saint was delivered over to be tortured
The Flagellation of Our Lord Jesus Christ, c.1880
Oil on canvas
Musée des Beaux-Arts de La Rochelle

William-Adolphe Bouguereau (30 November 1825 – 19 August 1905) was a French academic painter. In his realistic genre paintings he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. Throughout the course of his life, Bouguereau executed 822 known finished paintings, although the whereabouts of many are still unknown. More on William-Adolphe Bouguereau


They took Saint Myron and struck his body with iron rods. They then threw the presbyter into a red-hot oven, but the Lord preserved the martyr, but about 150 men standing nearby were scorched by the fire. The governor then began to insist that the martyr worship idols. Saint Myron firmly refused to do this, so Antipater ordered the leather thongs to be cut from his skin. Saint Myron took one of the leather thongs and threw it in the face of his tormentor.

After Briton Rivière, (1840–1920)
Then to give the martyr to wild beasts to be eaten
Daniel in the lion's den, c. 1892 
Height: 63.5 cm (25 in); Width: 88.9 cm (35 in)
Private collection

Briton Rivière RA (14 August 1840 in London – 20 April 1920 in London) was a British artist of Huguenot descent. He exhibited a variety of paintings at the Royal Academy, but devoted much of his life to animal paintings.

 

Briton was educated at Cheltenham College and Oxford, where he took his degree in 1867. For his art training he was indebted almost entirely to his father. His paternal uncle Henry Parsons Rivière (1811–1888) was also a noted watercolourist.

 

His first pictures appeared at the British Institution, and in 1857 he exhibited three works at the Royal Academy, but it was not until 1863 that he became a regular contributor to the Academy exhibitions. 

 

Early in his career, Rivière made some mark as an illustrator. He was elected an Associate of the Royal Academy of Arts in 1878, and a Royal Academician in 1881, and received the degree of Doctor of Civil Law at Oxford in 1891. More on Briton Rivière


Falling into a rage, Antipater gave orders to strike Saint Myron all over his stripped body, and then to give the martyr to wild beasts to be eaten. The beasts would not touch him, however. Seeing himself defeated, Antipater in his blind rage committed suicide. They then took Saint Myron to the city of Cyzicus, where he was beheaded by the sword. More on Martyr Myron the Presbyter of Cyzicus




Please visit my other blogs: Art Collector, Mythology, Marine Art, Portrait of a Lady, The Orientalist, Art of the Nude and The Canals of Venice, Middle East Artists, and 365 Saints, also visit my Boards on Pinterest

Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.


Sunday, July 19, 2020

07 Works, Today, July 19th, is Saints Justa and Rufina's day, their story in art #200

Bartolomé Esteban Murillo, (1617–1682)
St. Justa and St. Rufina, between circa 1665 and circa 1666
Oil on canvas
Height: 200 cm (78.7 in); Width: 176 cm (69.2 in)
Museum of Fine Arts of Seville 

The sisters are represented with the palms of martyrdom and with clay pots alluding to their status as ceramic vendors. In their hands they hold the tower of the cathedral of Seville , La Giralda, because according to tradition they avoided it's collapse in the earthquake of 1504.

Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. More on Bartolomé Esteban Murillo

Saints Justa and Rufina are venerated as martyrs. They are said to have been martyred at Hispalis (Seville) during the 3rd century. The two saints are highly honored in the medieval Hispanic liturgy.

Seville, Published 1597

Their legend states that they were sisters and natives of Seville who made fine earthenware pottery for a living, with which they supported themselves and many of the city's poor. Traditionally, they are said to have lived in the neighborhood of Triana. Born of a poor but pious Christian family. During a pagan festival, they refused to sell their wares for use in these celebrations. In anger, locals broke all of their dishes and pots. Justa and Rufina retaliated by smashing an image of Venus.

Paolo Veronese (Caliari)
The Martyrdom of St. Justine, c. 1573
Oil on canvas
112 cm x 102 cm
 Galleria degli Uffizi, Florence

Paolo Caliari, known as Paolo Veronese (1528 – 19 April 1588) was an Italian Renaissance painter based in Venice, most famous for large history paintings of both religious and mythological subjects, such as The Wedding at Cana and The Feast in the House of Levi. With Titian, who was at least a generation older, and Tintoretto, ten years older, he was one of the "great trio that dominated Venetian painting of the cinquecento" or 16th-century late Renaissance. Veronese is known as a supreme colorist, and after an early period with Mannerist influence turned to a more naturalist style influenced by Titian.

His most famous works are elaborate narrative cycles, executed in a dramatic and colorful style, full of majestic architectural settings and glittering pageantry. His large paintings of biblical feasts, crowded with figures, painted for the refectories of monasteries in Venice and Verona are especially famous, and he was also the leading Venetian painter of ceilings. Most of these works remain in situ, or at least in Venice, and his representation in most museums is mainly composed of smaller works such as portraits that do not always show him at his best or most typical.


He has always been appreciated for "the chromatic brilliance of his palette, the splendor and sensibility of his brushwork, the aristocratic elegance of his figures, and the magnificence of his spectacle", but his work has been felt "not to permit expression of the profound, the human, or the sublime", and of the "great trio" he has often been the least appreciated by modern criticism. Nonetheless, "many of the greatest artists ... may be counted among his admirers, including Rubens, Watteau, Tiepolo, Delacroix and Renoir". More on Paolo Caliari

Unknown artist
Tortured on the rack
I have no further description of this artwork at this time

The city's prefect, Diogenianus, ordered them to be imprisoned. Failing to convince them to renounce their faith, he had them tortured on the rack and with iron hooks. This method also having failed, they were imprisoned, where they suffered from hunger and thirst.


They were then asked to walk barefoot to the Sierra Morena; when this did not break their resolve, they were imprisoned without water or food. Justa died first. Her body, thrown into a well, was later recovered by the bishop Sabinus. Diogenianus believed that the death of Justa would break the resolve of Rufina. However, Rufina refused to renounce her faith and was thus thrown to the lions. 

Briton Rivière, (1840–1920)
Una and the Lion
Oil on canvas
Private collection

Briton Rivière RA (14 August 1840 in London – 20 April 1920 in London) was a British artist of Huguenot descent. He exhibited a variety of paintings at the Royal Academy, but devoted much of his life to animal paintings.

Briton was educated at Cheltenham College and Oxford, where he took his degree in 1867. For his art training he was indebted almost entirely to his father. His paternal uncle Henry Parsons Rivière (1811–1888) was also a noted watercolourist.

His first pictures appeared at the British Institution, and in 1857 he exhibited three works at the Royal Academy, but it was not until 1863 that he became a regular contributor to the Academy exhibitions. 

Early in his career, Rivière made some mark as an illustrator. He was elected an Associate of the Royal Academy of Arts in 1878, and a Royal Academician in 1881, and received the degree of Doctor of Civil Law at Oxford in 1891. More on Briton Rivière 

The lion in the amphitheatre, however, refused to attack Rufina, remaining as docile as a house cat. Infuriated, Diogenianus had Rufina strangled or beheaded and her body burned. Her body was also recovered by Sabinus and buried alongside her sister in 287 AD. More on Saints Justa and Rufina

Bartolomé Esteban Murillo
Santa Justa, circa 1665
Oil on canvas
Meadows Museum, Dallas, Texas

For Bartolomé Esteban Murillo see above.

Diego Velázquez
Santa Rufina, circa 1629-1632
Oil on canvas
Height: 79 cm (31.1 in); Width: 64 cm (25.1 in)
Hospital de los Venerables, Seville, Spain

Diego Rodríguez de Silva y Velázquez (baptized June 6, 1599 – August 6, 1660) was a Spanish painter, the leading artist in the court of King Philip IV, and one of the most important painters of the Spanish Golden Age. He was an individualistic artist of the contemporary Baroque period. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family, other notable European figures, and commoners, culminating in the production of his masterpiece Las Meninas (1656).

From the first quarter of the nineteenth century, Velázquez's artwork was a model for the realist and impressionist painters, in particular Édouard Manet. Since that time, famous modern artists, including Pablo Picasso, Salvador Dalí and Francis Bacon, have paid tribute to Velázquez by recreating several of his most famous works. More on Diego Velázquez




Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

 If you enjoyed this post, please share with friends and family.

 Thank you for visiting my blog and also for liking its posts and pages.
 Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.