Showing posts with label Philippe de Champaigne. Show all posts
Showing posts with label Philippe de Champaigne. Show all posts

Wednesday, June 24, 2020

06 Works, Today, June 24th, is Nativity of Saint John the Baptist's day, his story in Paintings #175

Unknown artist
Ss. Zacharias and Elizabeth
I have no further description of this artwork at this time

The Nativity of John the Baptist is a Christian feast day celebrating the birth of John the Baptist. The Nativity of John the Baptist is a high-ranking liturgical feast, kept in the Roman Catholic, Anglican, Eastern Orthodox and Lutheran churches. The sole biblical account of the birth of John the Baptist comes from the Gospel of Luke.

John's parents, Zechariah and Elizabeth, were without children and both were beyond the age of child-bearing. During Zechariah's rotation to serve in the Temple in Jerusalem, he was chosen by lot to offer incense at the Golden Altar in the Holy Place. 

Domenico Ghirlandaio, (1449–1494) 
Announcement of the angel to San Zaccaria, c. 1480
Tornabuoni frescoes chapel in Florence. 

Domenico Ghirlandaio (2 June 1448 – 11 January 1494) was an Italian Renaissance painter born in Florence. Ghirlandaio was part of the so-called "third generation" of the Florentine Renaissance, along with Verrocchio, the Pollaiolo brothers and Sandro Botticelli. Ghirlandaio led a large and efficient workshop that included his brothers Davide Ghirlandaio and Benedetto Ghirlandaio, his brother-in-law Bastiano Mainardi from San Gimignano, and later his son Ridolfo Ghirlandaio. Many apprentices passed through Ghirlandaio's workshop, including the famous Michelangelo. Ghirlandaio's particular talent lay in his ability to posit depictions of contemporary life and portraits of contemporary people within the context of religious narratives, bringing him great popularity and many large commissions. More on Domenico Ghirlandaio

The Archangel Gabriel appeared to him and announced that he and his wife would give birth to a child, and that they should name him John. However, because Zechariah did not believe the message of Gabriel, he was rendered speechless until the time of John's birth. 

Tintoretto, Jacopo (Jacopo Robusti). 1518-1594
Birth of St John the Baptist, c. 1550's
Oil on canvas
181x266 cm
Hermitage 

Tintoretto; born Jacopo Comin, (October, 1518 – May 31, 1594) was an Italian painter and a notable exponent of the Renaissance school. For his phenomenal energy in painting he was termed Il Furioso. His work is characterized by its muscular figures, dramatic gestures, and bold use of perspective in the Mannerist style, while maintaining color and light typical of the Venetian School.


In his youth, Tintoretto was also known as Jacopo Robusti as his father had defended the gates of Padua in a way that others called robust, against the imperial troops during the War of the League of Cambrai (1509–1516). His real name "Comin" has only recently been discovered by Miguel Falomir, the curator of the Museo del Prado, Madrid, and was made public on the occasion of the retrospective of Tintoretto at the Prado in 2007. More on Tintoretto

Russian icon
Nativity of John the Baptist
I have no further description of this artwork at this time

At that time, his relatives wanted to name the child after his father, and Zechariah wrote, "His name is John", whereupon he recovered his ability to speak. Following Zechariah's obedience to the command of God, he was given the gift of prophecy, and foretold the future ministry of Jesus.

Philippe de Champaigne, (1602–1674)
La Visitation
Oil on canvas
Museo de Arte e Historia de Ginebra

Philippe de Champaigne (26 May 1602 - 12 August 1674) was a Baroque era painter of the French school.

Born in Brussels of a poor family, Champaigne was a pupil of the landscape painter Jacques Fouquières. In 1621 he moved to Paris, where he worked with Nicolas Poussin on the decoration of the Palais du Luxembourg under the direction of Nicolas Duchesne, whose daughter he married. After the death of his protector Duchesne, Champaigne worked for the Queen Mother, Marie de Medicis, and for Richelieu, for whom he decorated the cardinal's palace, the Dome of the Sorbonne church and other buildings. He was a founding member of the Acadèmie Royale de Peinture in 1648.


Later in his life (1640), he came under the influence of Jansenism. After his paralysed daughter was allegedly miraculously cured at the nunnery of Port-Royal, he painted the celebrated but untypical picture Ex-Voto de 1662, now in the Louvre, which represents the artist's daughter with Mother-Superior Cathèrine-Agnès Arnauld. Champaigne produced a very large number of paintings, mainly religious works and portraits. Influenced by Rubens at the beginning of his career, his style later became more austere. He died in Paris. More on Philippe de Champaigne

Unknown artist
Mary then journeyed to visit Elizabeth
I have no further description of this artwork at this time

At the Annunciation, when the angel Gabriel appeared to the Virgin Mary to inform her that she would conceive of the Holy Ghost, he also informed her that Elizabeth, her cousin, was already six months pregnant. Mary then journeyed to visit Elizabeth. Luke's Gospel recounts that the baby "leapt" in Elizabeth's womb at the greeting of Mary. More on The Nativity of John the Baptist





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I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.
I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.
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 Thank you for visiting my blog and also for liking its posts and pages.
 Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.

Thursday, March 19, 2020

04 Works, Today, March 19th, is Saint Joseph's Day, With Footnotes - #77

Philippe de Champaigne, 1642–43
The Dream of Saint Joseph
Oil on canvas
 209.5 × 155.8 cm.
National Gallery, London.

Philippe de Champaigne (26 May 1602 - 12 August 1674) was a Baroque era painter of the French school.

Born in Brussels of a poor family, Champaigne was a pupil of the landscape painter Jacques Fouquières. In 1621 he moved to Paris, where he worked with Nicolas Poussin on the decoration of the Palais du Luxembourg under the direction of Nicolas Duchesne, whose daughter he married. After the death of his protector Duchesne, Champaigne worked for the Queen Mother, Marie de Medicis, and for Richelieu, for whom he decorated the cardinal's palace, the Dome of the Sorbonne church and other buildings. He was a founding member of the Acadèmie Royale de Peinture in 1648.

Later in his life (1640), he came under the influence of Jansenism. After his paralysed daughter was allegedly miraculously cured at the nunnery of Port-Royal, he painted the celebrated but untypical picture Ex-Voto de 1662, now in the Louvre, which represents the artist's daughter with Mother-Superior Cathèrine-Agnès Arnauld. Champaigne produced a very large number of paintings, mainly religious works and portraits. Influenced by Rubens at the beginning of his career, his style later became more austere. He died in Paris. More on Philippe de Champaigne

Joseph is a figure in the Gospels, the husband of Mary, mother of Jesus, and is venerated as Saint Joseph. In both Catholic and Protestant traditions, Joseph is regarded as the patron saint of workers and is associated with various feast days. 

Bartolomé Esteban Murillo
St. Joseph with the Christ Child
Oil on canvas
Private collection

Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. More on Bartolomé Esteban Murillo

Pope Pius IX declared him to be both the patron and the protector of the Catholic Church, in addition to his patronages of the sick and of a happy death, due to the belief that he died in the presence of Jesus and Mary. In popular piety, Joseph is regarded as a model for fathers and has also become patron of various dioceses and places.

Juan de Valdés Leal , (1622–1690)
 Coronation of Saint Joseph
Oil on canvas
166 x 250 cm
Museo de Bellas Artes de Sevilla

Juan de Valdés Leal (4 May 1622 – 15 October 1690) was a Spanish painter and etcher of the Baroque era. Born in Seville in 1622, he became a painter, sculptor, and architect. By his twenties, he was studying under Antonio del Castillo in Córdoba.

Among his works are History of the Prophet Elias for the church of the Carmelites; Martyrdom of St. Andrew for the church of San Francesco in Córdoba; and Triumph of the Cross for la Caridad in Seville. He became friends with Bartolomé Esteban Murillo, who had a very different style; Leal tended to paint somber and dramatic subjects, while Murillo's style was peaceful and serene. After Leal returned to Seville in 1656, he and Murillo founded the Seville Academy of Art.

Several of his paintings treat the subjects of vanitas, transience and mortality. Two examples are In ictu oculi ("in the blink of an eye") and Finis gloriae mundi ("end of the world's glory"), painted for the Charity Hospital in Seville. More on Juan de Valdés Leal

Several notable images of Saint Joseph have been granted a Canonical coronation by a Pope. In popular religious iconography he is associated with lilies or a spikenard. With the present-day growth of Mariology, the theological field of Josephology has also grown and since the 1950s centers for studying it have been formed.

According to the New Testament, Joseph was the father of James, Joses, Jude, Simon, and at least two daughters. More on Saint Joseph

Johann Friedrich Overbeck
The Death of Saint Joseph, c. 1832-1836
Oil on canvas
100.2 cm (39.45 in.), Width: 75.7 cm (29.8 in.)
Kunstmuseum Basel, Switzerland - Basel

Johann Friedrich Overbeck, (born July 3, 1789, Imperial Free City of Lübeck—died Nov. 12, 1869, Rome), Romantic painter of Christian religious subjects, who was leader of a group of German artists known as the Nazarenes, or Lucas Brotherhood (Lukasbund).

In 1806 Overbeck entered the Academy of Vienna, where, disappointed in the academic approach to teaching, he and Franz Pforr in 1809 founded the Lucas Brotherhood. They sought to revive the medieval artists’ guilds and to renew the arts through Christian faith (in 1813 Overbeck joined the Roman Catholic Church). For artistic inspiration they turned to Albrecht Dürer and to Italian Renaissance art, particularly the works of Perugino and early Raphael.

In 1810 the Lucas Brotherhood went to Rome. Their style was characterized by precise outlines; clear, bright colours; and an emphasis on Christian symbolism. Communally, the brotherhood executed the frescoes 

As he advanced in years, Overbeck’s painting became pallid and stereotyped. Yet these late works greatly influenced Christian devotional art of the 19th century and the paintings of the Pre-Raphaelite Brotherhood. His more vital early pictures and drawings, however, were rediscovered and appreciated early in the 20th century. More on Johann Friedrich Overbeck





Images are copyright of their respective owners, assignees or others. Some Images may be subject to copyright

I don't own any of these images - credit is always given when due unless it is unknown to me. if I post your images without your permission, please tell me.

I do not sell art, art prints, framed posters or reproductions. Ads are shown only to compensate the hosting expenses.

If you enjoyed this post, please share with friends and family.

Thank you for visiting my blog and also for liking its posts and pages.

Please note that the content of this post primarily consists of articles available from Wikipedia or other free sources online.